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Live
Venue address
Chiswick Auctions
Barley Mow Centre
10 Barley Mow Passage
Chiswick
W4 4PH
United Kingdom
Prints and Multiples
Viewing exclusively at the Barley Mow, W4 4PH. Please contact: prints@chiswickauctions.co.uk for more information.
Auction dates
Oct 22, 2026 11:00 AM BST
Viewing dates
Sep 13, 2026 11:00 AM - 03:00 PM BST
Oct 16, 2026 12:00 PM - 04:00 PM BST
Oct 17, 2026 11:00 AM - 04:00 PM BST
Oct 19, 2026 11:00 AM - 04:00 PM BST
Oct 20, 2026 11:00 AM - 04:00 PM BST
Oct 21, 2026 11:00 AM - 04:00 PM BST
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Buyer's premium
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27 % |
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Featured lots
![§ Julian Trevelyan R.A. (British, 1910-1988) Henley [Turner 223]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/5ca7996c-266c-412c-85dd-b4d3013c0b41.jpg?w=250)
![§ Ben Nicholson O.M. (British, 1894-1982) Still Life with Curves [Lafranca 107]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/b4aa2ca5-56d0-4d31-9c01-b4d3013c0ca5.jpg?w=250)
There are 357 lots within this auction
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§ Bridget Riley C.H. C.B.E. (British, b.1931) Fall, Straight Curve, Twist 1963 titled in plate offset lithographic exhibition poster printed and published by Gallery 1, London framed ARR Dimensions:frame 36 x 80cm Notes: Produced to accompany Riley's first solo exhibition at Gallery 1, London, 1963
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1
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Estimate
6,000 - 8,000 GBP
§ Bridget Riley C.H. C.B.E. (British, b.1931) Serpentine Print 1999 signed and numbered 42/200 in pencil screenprint in colours on wove printed by Sally Gimson and Angus Wade at Artizan Editions, Hove, published by Serpentine Gallery, London framed ARR Dimensions:image 25.4 x 25.4cm Provenance: Serpentine Gallery, London, where aquired by the family of the present owner thence by descent
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§ Victor Vasarely (Hungarian/French, 1906-1997) Tridim-Gordes 1970 signed and inscribed EA in black pen an Epreuve d'Artiste from an edition of an unknown size screenprint in colours on wove produced for the opening of the Vasarely Museum, Gordes unframed ARR Dimensions:sheet 37 x 24cm
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§ Victor Vasarely (Hungarian/French, 1906-1997) Constellation 9 ca.1970 signed and numbered 281/290 in pencil screenprint in colours on wove unframed ARR Dimensions:sheet 67 x 65cm
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1
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Estimate
1,500 - 2,000 GBP
Agnes Martin (American, 1912-2004) Paintings and Writings 2000 the complete suite of fifteen lithographic book plates on vellum together with the two accompanying catalogues Paintings and Writings and monograph published by Pace Wildenstein, New York each sheet mounted individually Dimensions:each sheet 28 x 27.4cm
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1
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4,000 - 6,000 GBP
Ellsworth Kelly (American, 1923-2015) Red Curve 2006 signed and numbered 8/100 in pencil lithograph in colours on wove printed by Gemini G.E.L., Los Angeles, with their blindstamp, published by Serpentine Gallery, London framed Dimensions:sheet 30 x 17cm Provenance: Serpentine Gallery, London, March 2006, where purchased by the family of the present owner thence by descent
this lot is accompanied by a Certificate of Authenticity, issued by the publisher
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§ Mark Francis (British, b.1962) Untitled 2004 signed, dated and inscribed A/P 3/3 in pencil an artist's proof aside from the edition of 30 etching on Somerset wove unframed ARR Dimensions:sheet 99.7 x 77cm
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§ Mark Francis (British, b.1962) Untitled 2 2011 signed, dated and numbered 21/45 in pencil lithograph in colours on wove printed at Graphic Studio, Dublin unframed ARR Dimensions:sheet 100 x 68cm
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§ Yayoi Kusama (Japanese, 1929-2026) Yellow Pumpkin & Red Pumpkin 2016 two painted cast resin multiples each with the artist's copyright stamp on the underside published by Benesse Holdings, Inc., Naoshima, Japan, produced by Kusama Studio, Japan each contained within original presentation box Dimensions:each 10cm high
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§ Imi Knoebel (German, b.1940) Masonite Square (Homage to Kazimir Malevich) 1991 signed and dated in black and white paint, inscribed EA 14/33 in black marker an Epreuve d'artiste aside from the edition of 300 masonite board and wood ARR Dimensions:30 x 30 x 7cm Provenance: Private Collection, Germany, from whom purchased by the present owner
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Estimate
2,000 - 3,000 GBP
Saint-Clair Cemin (Brazilian, b.1951) The Reader 1987 incised with signature and numbered 2/7 to base bronze sculpture Dimensions:overall 13 x 8 x 6.2cm Provenance: Massimo Audiello Gallery, New York Christie's New York, Contemporary Art- Including Property from the Collection of William Copley, 8 November 1993, Lot 134 ( Property from the Estate of Fredrik Roos) Private Collection, Germany, from whom purchased by the present owner
Exhibited: Malmö, Rooseum, Art at the End of the Social , July-Oct. 1988, p. 251, no. 114 (illustrated)
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Oscar Niemeyer (Brazilian, 1907-2012) Serpentine Gallery Pavilion 2003 signed and numbered 127/200 in pencil screenprint across four sheets of wove framed Dimensions:each sheet 14.7 x 20cm Provenance: Serpentine Gallery, London, where acquired by the family of the present owner thence by descent
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§ Christo & Jeanne Claude (Bulgarian/American, 1935-2020) & (Moroccan, 1935-2009) Wrapped Reichstag; Berlin and The wall 1994 one signed in blue crayon two offset lithographs on wove framed ARR Dimensions:largest image 62 x 98cm
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Siron Franco (Brazilian, b.1947) Narciso 1985 signed, dated, titled and numbered 13/90 in pencil screenprint in colours framed Dimensions:sheet 100 x 35cm
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§ Arnulf Rainer (Austrian, 1929-2025) Grün und Blau 1967 signed and numbered 60/96 in red pen titled in plate lithograph on wove unframed ARR Dimensions:sheet 36.4 x 53cm Provenance: Private Collection, Germany, from whom purchased by the present owner
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§ Margaret Priest (British, b.1944) Hampstead Heath 1976 signed, dated, titled and numbered 20/100 in pencil etching on wove from the For John Constable portfolio published by Bernard Jacobson Gallery, London unframed ARR Dimensions:sheet 56 x 76cm
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1
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Estimate
10,000 - 15,000 GBP
§ Zarina Hashmi (Indian/American, 1937-2020) Rohingyas: Floating on the Dark Sea 2015 signed, titled and numbered 80/100 in pencil woodcut on BFK light wove mounted on Arches wove published by Tate, London unframed Dimensions:sheet 40 x 30.3cm Provenance: Tate, London, where purchased the preset owner this lot is accompanied by Certificate of Authenticity, invoice and publisher's packaging Notes: Zarina Hashmi's practice is deeply rooted in the themes of displacement, borders, travel and the search for home. Born in Aligarh, India, in 1937, she studied mathematics before training as a printmaker in Bangkok, Tokyo and Paris. In 1958, Zarina left India for New York, at the same time her family were relocated from Delhi to Karachi following the Partition of India and Pakistan. Hashmi continued to spend her life travelling, exploring, and re-settling; the experience of separation and exile became a defining presence within her work.
Her mathematical background is reflected in her highly ordered compositions, while her work is often compared to Western Modernists, Zarina cited the geometry and symmetry of Mughal architecture as having informed her stark visual language. Working predominantly in woodcut, Zarina reduces forms to their essential elements: line, ink, paper and negative space. Her restrained aesthetic emphasises the unmarked, creating spaces that can suggest both physical and psychological landscapes.
Rohingyas: Floating on the Dark Sea depicts an empty boat adrift within an expansive field of darkness. Its sparse composition is characteristic of Zarina, yet the subject carries an immediate and profound human significance. The title refers to the Rohingya, a predominantly Muslim ethnic minority from Myanmar who have faced decades of persecution, discrimination and statelessness. The boat evokes the desperate journeys undertaken by Rohingya people fleeing violence in search of safety and refuge.
Zarina deliberately prints in negative- inking the heavy night sky and ocean, the boat alone is simply carved and left blank, with the hint of distant stars in the sky and still water at its bow. This use of negative space is isolating, there are no figures, no distant shore or destination. Through a few carefully considered lines and the profound use of negative space, Zarina transforms the image of a small boat into a meditation on displacement and the desire for belonging. It stands as a particularly poignant example of Zarina's ability to use the reductive language of woodcut to address questions of extraordinary emotional and political depth.
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3,000 - 5,000 GBP
Barbara Kruger (American, b.1945) Untitled (Stamps) 1990/2013 stamped and numbered from the edition of 35 verso offset lithograph on perforated sticker paper published by East of Borneo Editions, California framed Dimensions:sheet 30 x 30cm Provenance: East of Borneo Editions, California, January 2014, where purchased by the present owner.
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Gavin Jantjes (South African, b.1948) Untitled 1969 signed, dated and numbered 2/7 in pencil etching with aquatint on wove unframed Dimensions:sheet 38 x 26.8cm Provenance: Amersham Auction Rooms, 27th Aug 2026, 19th & 20th Century Collectable Items, Silver, Jewellery and Works of Art & Furnishings, Lot 40, where purchased by the present owner Notes: Gavin Jantjes was born in Cape Town, South Africa, in 1948, during the apartheid era. For the young Jantjes, making art became a form of freedom: a space in which he could make images and explore ideas without being told what to think. He attended the Michaelis School of Fine Art at the University of Cape Town, where he was the only Black student. In 1970, he was awarded a DAAD scholarship to attend the Hochschule für Bildende Künste in Hamburg, and in 1973 he was granted political asylum in Germany.
This etching dates to 1969, Jantjes's final year at the Michaelis School of Fine Art, and is an important example of his early practice in South Africa. The school placed considerable emphasis on figurative study, with students undertaking life and still-life drawing for several days each week. Jantjes also took a course in graphic design, which led him to the 'free graphic art' category. During this period he worked predominantly in etching, linocut and drawing, later recalling that black and white etching was an accessible medium because it was the most affordable option.
The present work brings together the figurative training of his student years with the graphic qualities that would become increasingly important to his practice. A dark, shadowed figure stands in the foreground of the composition, watching a seated white figure reading a newspaper at a breakfast table. The figure in the foreground is largely anonymous, its features obscured by darkness, while the seated figure appears absorbed in the newspaper and seemingly unaware of the presence immediately before him. The tension between the two figures gives the seemingly domestic scene an unsettling quality, particularly when considered within the social and political realities of apartheid South Africa.
Jantjes would go on to address apartheid directly in his celebrated The South African Colouring Book (1974–75), a series of photographic screenprints that examined the contradictory use of racial classification in South Africa through the familiar format of a children's colouring book. The series was exhibited at the Institute of Contemporary Arts in London in 1976, shortly after the Soweto uprising, and established Jantjes as an important voice in the international discussion surrounding apartheid and representation.
The political weight of Jantjes's later work can sometimes overshadow the technical qualities of his printmaking. This early etching demonstrates his considerable sensitivity to the medium, combining deeply pigmented areas of aquatint with fine etched line, delicate tonal shading and intricate pattern. Made only a few years before his departure from South Africa, the work offers a rare insight into the development of an artist whose practice would become closely associated with questions of race, representation and freedom.
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Jenny Holzer (American, b.1950) Words Tend to be Inadequate 2019 embroidery on cotton published by Tate, London unframed Dimensions:overall 65 x 45cm
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Jenny Holzer (American, b.1950) Truisms 1994 two digital prints on wooden postcards from the Survival Series published by Printed Matted, New York unframed Dimensions:each 10 x 15cm
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Jenny Holzer (American, b.1950) Truisms Pencil Set four pencils contained within cardboard box produced by Tate, London Dimensions:overall 20.4 x 3.6 x 2cm
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William N. Copley (American, 1919-1996) Man and Woman 1978 signed and numbered 43/200 in pencil screenprint in colours on wove published by Robert L. Freedman unframed Dimensions:sheet 66.5 x 86cm
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Tom Wesselmann (American, 1931-2004) Great American Nude 1965 signed and numbered18/35 in pencil lithograph in colours on wove framed Dimensions:image 75.7 x 59.9cm
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Craig Highberger (American, b.1947) Warhol superstar Jackie Curtis as a boy in his lower East side Manhattan apartment and as a girl at Max's Kansas City in 1974 signed, titled and numbered 9/20 in pencil digital print in colours on wove framed Dimensions:image 23 x 45.5cm
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Keith Haring (American, 1958-1990) Crack Down 1986 offset lithographic poster in colours on smooth wove unframed Dimensions:sheet 55.5 x 43cm
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Jim Dine (American, b.1935) Spoon 1973 signed, dated and numbered 31/100 in pencil lithograph on wove from the Ten Winter Tools series published by Petersburg Press, London framed Dimensions:sheet 70 x 55cm
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Robert Indiana (American, 1928-2018) Classic Love 2007 numbered from the edition of 10,000 to label verso hand tufted wool multiple in colours produced for Galerie-F, Kranenburg framed Dimensions:76.4 x 76.4cm
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Robert Indiana (American, 1928-2018) Love Red Blue Green numbered 400/500 painted polystone multiple published by Editions Studio, Amsterdam presented within original box Dimensions:15 x 15 x 7cm Provenance: this lot is accompanied by a Certificate of Authenticity, issued by the publisher
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§ Sir Richard Long (British, b.1945) No Footprints 2013 signed and numbered 91/150 in pencil offset lithograph on wove published by Museum Kurhaus Kleve, Kleve framed ARR Dimensions:image 39.4 x 59.1cm Provenance: Pallant House Gallery, Chichester, September 2014, where purchased by the present owner
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§ David Nash O.B.E. R.A. (British, b.1945) Red and Black Column 1999 signed, dated and titled in pencil from the edition of 10 charcoal and pastel on wove from the Red & Black Drawing Set Portfolio published by Haines Gallery, San Francisco framed ARR Dimensions:sheet 29 x 22cm
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§ David Nash O.B.E. R.A. (British, b.1945) Red and Black Eggs 1999 signed, dated and titled in pencil from the edition of 10 charcoal and pastel on wove from the Red & Black Drawing Set Portfolio published by Haines Gallery, San Francisco framed ARR Dimensions:sheet 28 x 22cm
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§ Ai Weiwei (Chinese, b.1957) Sunflower Seeds 2010 signed in black pen to mount hand sculpted and painted porcelain sunflower seeds in box frame produced by the artist for the installation at the Turbine Hall, Tate Modern, October 2010 framed Dimensions:overall 12 x 17 x 3.5cm Provenance: gifted by the artist to the present owner at the Tate Modern private view, October 2010
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§ Sir Grayson Perry (British, b.1960) Plate (A Oriental Family) digital transfer print on glazed ceramic plate glazed with artist's monogram to underside possibly a unique work ARR Dimensions:27cm diameter Provenance: Work from the Collection of Frank Cohen
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§ Sir Grayson Perry (British, b.1960) Key Workers 2021 two glazed ceramic sculptures each stamped with artist's monogram verso published by the Bristol Museum & Art Gallery, Bristol ARR Dimensions:26.5cm high
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§ Tacita Dean C.B.E. R.A. (British, b.1965) Trying to Find the Spiral Jetty
1998 signed, dated and numbered 24/100 in pencil to cassette tape cassette tape in case made at The Sound Design Company, London ARR
Dimensions:11 x 7 x 1.5cm Notes:
Reference: See Museum of Modern Art, New York, accession number 854.2013.81, for another example of this edition
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§ Chris Ofili (British, b.1968) Celestial 1998 signed, dated, titled and numbered 46/320 in pencil screenprint in colours on wove printed by K2 Screen, published by Serpentine Galleries, London framed ARR Dimensions:image 24 x 19.8cm Provenance: Serpentine Gallery, London, where aquired by the family of the present owner thence by descent
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§ Chris Ofili (British, b.1968) Mali Memory (Tea Dance) 2014 signed and dated recto, numbered 435/500 in pencil verso archival pigment print in colours on Arches Aquarelle wove published by the New Museum, New York unframed ARR Dimensions:sheet 25.5 x 20cm
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John Currin (American, b.1962) Rachel as "The Hag" 2003 signed and numbered 127/200 in pencil giclée print on wove published by Serpentine Gallery, London framed Dimensions:image 41.7 x 29.1cm Provenance: The Serpentine Gallery, London, where purchased by the present owener
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2,000 - 4,000 GBP
§ Sir Anish Kapoor C.B.E. R.A. (British/Indian, b. 1954) Glow for Maggie 2020 signed and numbered 29/250 in pencil etching in colours on wove published by Lisson Gallery in support of Maggie’s Cancer Centres framed ARR Dimensions:plate 21 x 28cm
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§ Sir Antony Gormley (British, b.1950) From the Cave 2010 numbered 3 from the edition of 50 to label affixed verso photogravure etching on Fabriano Artistico 300gsm wove framed ARR Dimensions:sheet 38 x 45cm Provenance: Ingleby Gallery, Edinburgh, with label affixed verso
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§ Maggi Hambling C.B.E. (British, b.1945) Gainsborough's Gold 2021 signed, dated and numbered 100/250 in pencil giclée print in colours on wove unframed ARR Dimensions:sheet 34 x 38cm Provenance: Gainsborough's House gift shop, where acquired by present owner, 2023
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§ Peter Doig (British, b.1959) Untitled (Canoe) 2008 initialled, dated and numbered 276/500 in pencil aquatint in colours on wove published by the Librairie du Musee d'art Modern, Paris framed ARR Dimensions:image 58 x 73.3cm Notes: published in 2008 on the occasion of the artist's retrospective at the Musée d'Art Moderne de la Ville de Paris.
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1,000 - 2,000 GBP
§ Peter Doig (British, b.1959) Cyril's Bay 2008 signed, dated and numbered 105/500 in pencil giclée print in colours with screenprint varnish on wove published by the Tate Gallery, London framed ARR Dimensions:sheet 50 x 39.4cm Provenance: Tate Britain, London, February 2008, where purchased by the family of the present owner thence by descent
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![§ Peter Doig (British, b.1959) Lion in the Road [D3-3B]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/11cd2ee7-9ef4-4918-a054-b4d3013d633c.jpg?h=175)
Quantity
1
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Estimate
3,000 - 5,000 GBP
§ Peter Doig (British, b.1959) Lion in the Road [D3-3B] 2026 signed, dated and numbered from the edition of 250 in pencil giclée print on smooth cotton wove from the House of Music published by HENI Editions, London contained in original packaging framed ARR Dimensions:sheet 108.2 x 150cm Provenance: HENI Editions, London, 2026 where purchased by the present owner
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§ Elizabeth Magill (Irish, b.1959) Gondolier 2009 signed and numbered A.P. 6/6 in pencil an artist's proof aside from the edition of 40 etching in colours on wove published by Paragon Contemporary Editions Ltd., London framed ARR Dimensions:plate 28 x 40cm
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§ Helen Chadwick (British, 1953-1996) Like a Virgin 1994 signed and numbered 30/50 in pencil verso etching on wove from the Royal College of Art Printmaking portfolio unframed ARR Dimensions:sheet 28 x 28cm
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§ Helen Chadwick (British, 1953-1996) Phallogocentricos 1995 signed, dated, titled and numbered 33/50 in pencil verso screenprint in colours on wove from the Royal College of Art Printmaking portfolio unframed ARR Dimensions:sheet 28 x 28cm
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§ Rachel Whiteread (British, b.1963) Second Hand 2004 stereolithograph of laser-sintered white nylon signed and numbered 57 from the edition of 400 in black ink to the Certificate of Authenticity produced by 3TRPD, Newbury, published by Counter Editions, Margate contained within display case Dimensions:overall 27 x 22 x 17.5cm
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Estimate
5,000 - 7,000 GBP
§ Julian Opie (British, b.1958) Untitled 2006 signed and numbered 32/35 in pencil screenprint in colours on wove framed ARR Dimensions:sheet 128 x 90cm
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§ Julian Opie (British, b.1958) Woman Taking Off a Man’s Shirt 2003 screenprint in colours on wove from the edition of an unknown size published by K21 Kunstammlung Nordrhein-Westfalen, Dusseldorf framed ARR Dimensions:image 105 x 57cm
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§ Sir Michael Craig-Martin (Irish/British, b.1941) Book (book edition with Paint Roller and Ladder) 1997 signed, dated and numbered 142/150 in pencil to sheets verso the complete screenprint book with unbound double-page screenprints on 300gsm Somerset wove book further signed, dated and numbered 142/150 in pencil to colophon printed by Advanced Graphics, published by Alan Cristea Gallery and Ridinghouse Editions, London unbound prints contained in clothbound slip, contained with book in clothbound solander box book presented in original grey clothbound clamshell ARR Dimensions:sheets 33 x 54.7cm; overall 37.2 x 57.5 x 3cm Notes: Reference: see Victoria & Albert Museum, London, library number 38041998101547, for another example of this edition.
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§ Sir Michael Craig-Martin (Irish/British, b.1941) Prospect Cottage 2019 inkjet print in colours on Somerset wove from the edition of an unknown size printed by King & McGaw, published by Art Fund contained within original black folio unframed ARR Dimensions:sheet 30 x 21cm Provenance: Art Fund, March 2020, where purchased by the present owner
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Art:Pack Playing Cards
2001 the complete pack of 54 artist-designed playing cards including designs by Michael Crag-Martin, Sean Scully, Barry Flanagan produced by The Irish Hospice Foundation contained within original presentation box
Dimensions:21.3 x 15 x 2.2cm
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§ Cornelia Parker C.B.E. R.A. (British, b.1956) The Kiss 2025 signed and numbered 11/100 in pencil verso archival pigment print in colours on wove unframed ARR Dimensions:sheet 25 x 25cm
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§ Cornelia Parker C.B.E. R.A. (British, b.1956) Wake Up!
2008 signed and numbered 81/100 in pencil c-type on Kodak Supra Endura type C paper published by Whitechapel Editions, London unframed ARR
Dimensions:sheet 50.7 x 40.6cm Provenance:
acquired Whitechapel Gallery, London 2008 thence by descent
Notes:
this lot is accompanied by a Certificate of Authenticity, issued by Whitechapel Gallery, London
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§ Mark Wallinger (British, b.1959) No Man's Land 2002 signed twice in black ink offset lithographic poster in colours published by Whitechapel Gallery, London framed ARR Dimensions:74.5 x 49.5cm
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§ Marc Quinn (British, b.1964) Untitled 2 2007 signed, dated and numbered 19/59 verso pigment print on wove from Portraits of Landscapes printed by Paragon Press framed ARR Dimensions:sheet 98.3 x 74cm
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§ Gavin Turk (British, b.1967) Relic (Cave) 1995 signed, dated, titled and numbered 018 in black ink verso from the edition of 130 screenprint in colour on vacformed plastic plaque unframed ARR Dimensions:48cm diameter
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240
§ Dame Tracey Emin D.B.E. R.A. (British, b.1963) Foundlings and Fledglings- our Angels on this Earth 2007 dated and titled to base numbered 705/1000 and signed in black ink to Certificate of Authenticity screenprint on white china teapot produced by Counter Editions for the 2007 Venice Biennale contained within original presentation box ARR Dimensions:overall17 x 22 x 16cm Provenance: Counter Editions, London, July 2007, where purchased by the present owner.
This lot is accompanied by Certificate of Authenticity, issued by Counter Editions, London.
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