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Live
Venue address
Chiswick Auctions
Barley Mow Centre
10 Barley Mow Passage
Chiswick
W4 4PH
United Kingdom
Prints and Multiples
Viewing exclusively at the Barley Mow, W4 4PH. Please contact: prints@chiswickauctions.co.uk for more information.
Auction dates
Oct 22, 2026 11:00 AM BST
Viewing dates
Sep 13, 2026 11:00 AM - 03:00 PM BST
Oct 16, 2026 12:00 PM - 04:00 PM BST
Oct 17, 2026 11:00 AM - 04:00 PM BST
Oct 19, 2026 11:00 AM - 04:00 PM BST
Oct 20, 2026 11:00 AM - 04:00 PM BST
Oct 21, 2026 11:00 AM - 04:00 PM BST
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Buyer's premium
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27 % |
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Featured lots
![§ Julian Trevelyan R.A. (British, 1910-1988) Henley [Turner 223]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/5ca7996c-266c-412c-85dd-b4d3013c0b41.jpg?w=250)
![§ Ben Nicholson O.M. (British, 1894-1982) Still Life with Curves [Lafranca 107]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/fa919abf-0c69-413e-ad41-b4e600c2dd91.jpg?w=250)
There are 357 lots within this auction
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Francisco de Goya (Spanish, 1746-1828) ¿No hay quien nos desate? 1881-1886 titled in plate etching with aquatint on wove from the unnumbered edition of 210 the fifth edition with upper edge binding holes plate 75 from Los Caprichos published by Calcografia for the Réal Académia, Madrid framed Dimensions:plate 21.5 x 15cm, sheet 30.5 x 20.6cm
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Lovis Corinth (German, 1858-1925) Toten Sie Mich Majestat 1921 signed in pencil lithograph on wove from Fridericus Rex published by Fritz Gurlitt, Berlin framed Dimensions:image 31 x 25cm Provenance: Christie's, London, Lot 558, The Collection of the late Lord Weidenfeld GBE A Life of Ideals and Ideas, 18th May 2017, with label affixed verso
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![§ Augustus John (British, 1878-1961) Portrait of J Hope-Johnstone [Dodgson 139]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/54131b19-4706-431f-a11d-b4d3013bbccc.jpg?h=175)
§ Augustus John (British, 1878-1961) Portrait of J Hope-Johnstone [Dodgson 139] c.1912 signed in pencil from the unnumbered edition of 50 state ii/ii etching on wove further signed in the plate framed ARR Dimensions:plate 17.5 x 12.5cm Provenance: Hilary Gerrish, Monmouthshire, April 2003, where purchased by the present owner
Reference: See British Museum, London, accession number 1949,0411.1384 for another example of this edition Literature: Campbell Dodgson (1920) A Catalogue of Etchings by Augustus John 1901-1914, London: Charles Chenil and Co., Ltd., Reference 139
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![C.R.W. Nevinson (British, 1889-1946) Boulogne [Black 73]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/20a5e738-8409-477b-8972-b4da00c3aa33.jpg?h=175)
C.R.W. Nevinson (British, 1889-1946) Boulogne [Black 73] 1922 signed in pencil from the unnumbered edition of 25 drypoint etching on wove framed Dimensions:plate 24.8 x 35cm Notes: Reference: see Metropolitain Museum of Art, New York, accession number 2019.592.177 for another example of this edition.
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![C.R.W. Nevinson (British, 1889-1946) Success [Black 103]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/3955bb78-664f-438b-b764-b4da00c3a91d.jpg?h=175)
C.R.W. Nevinson (British, 1889-1946) Success [Black 103] etching on wove an unsigned edition framed Dimensions:plate 20.1 x 15cm; sheet 26.2 x 18.6cm Provenance: Private London collection with collector's mark KG, presumably Kenneth M. Guichard author of British Etchers, 1850-1940. Notes: Reference: see National Galleries of Scotland, Edinburgh, accession number GMA923 for another example of this edition
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![C.R.W. Nevinson (British, 1889-1946) The Rising City [Black 125]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/72dd7362-129a-4de9-ad2d-b4da00c3ae18.jpg?h=175)
C.R.W. Nevinson (British, 1889-1946) The Rising City [Black 125] c.1926-27 etching on laid an unsigned proof framed Dimensions:plate 35.3 x 23.6cm, sheet 42 x 27.4cm Provenance: Private London collection with collector's mark KG, presumably Kenneth M. Guichard author of British Etchers, 1850-1940.
Reference: See Victoria & Albert Museum, London, accession number CIRC.382-1968 for a signed example of this edition.
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§ Eric Slater (British, 1896-1963) An Autumn Scene
signed and titled in pencil woodcut in colours on wove framed ARR
Dimensions:plate 9.2 x 12.7cm Notes:
Eric Slater was born in 1896 in Hampstead, London, and moved to Sussex after the death of his father. He studied at The Hastings School of Art, and is believed to have been taught the woodcut technique by a neighbour, Arthur Rigden Read. Rigden Read had travelled to Japan in the 1920s and studied the woodcut techniques employed in ukiyo-e, bringing back these complex relief-printing skills. Eric Slater began making prints in 1926 and produced 36 works over around 15 years, until the outbreak of the Second World War. Having settled in Seaford, Slater mainly depicted the area and its surroundings, forever fascinated by the South Downs and Sussex coastline. Though he worked in the south of England, he was patronised by Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, and went on to receive international recognition.
Slater is best known for his large skies, simplified line and fine study of light. He used a traditionally Japanese medium to depict bucolic English subjects. An Autumn Scene captures the rolling clouds and rich amber of the autumnal foliage, with the reflection of sky, trees and farmhouse roofs in a small pond, rendered in subtle and restrained line. Slater stopped produced prints in the 1940s when materials became expensive, tastes changed and artists’ lives were uprooted. Slater died in 1963 and, leaving no close relatives, his work gradually slipped into obscurity. With works held by the British Museum and V&A, Slater has experienced a revival amongst collectors enamoured by his atmospheric woodcuts capturing English countryside life.
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§ Leon Underwood (British, 1890-1975) The Inventor 1928 signed, dated, titled and numbered 10/50 in pencil woodcut on laid unframed/mounted ARR Dimensions:plate 13.5 x 8cm
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§ Gertrude Hermes (British, 1901-1983) Owls 1955 signed, dated, titled and numbered 15/50 in pencil linocut in colours on wove framed ARR Dimensions:plate 75.5 x 55cm Notes: Reference: see Victoria and Albert Museum, London, accession number CIRC.315-1955 for another example of this edition
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§ Hannah Frank (British, 1908-2008) Girl at Window and Flight c.1950s one signed in pencil two lithographs on wove framed ARR Dimensions:images 34 x 26 and 31.2 x 23.4cm Provenance: Glasgow, 1970s where purchased by the family of the present owner Thence by descent Notes: Hannah Frank was born in Glasgow in 1908 and went on to study English and Latin at university and trained to become a teacher. During this period she also attended evening classes at Glasgow School of Art, where she studied printmaking, drawing and sculpture. She followed on from The Glasgow Girls, a group of young women artists working across Glasgow in printmaking, textile and ceramic who became elevated in the fine art scene.
Frank is best known for her Art Nouveau-inspired style, with her works featuring elegant, elongated female forms. Her work was influenced by Aubrey Beardsley and Jessie King, which can be seen in her haunting, highly stylised figures. She adopted the pseudonym Al Aaraaf, taken from an Edgar Allan Poe poem about a mysterious star - which adds further intrigue her abstracted practice. Frank's stark works are imbued with a sense of uneasiness, where she employs strong contrasts and mystical imagery to create a distinctive surreal atmosphere.
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§ Hannah Frank (British, 1908-2008) Night Forms and Dance c.1950s each signed in pencil two lithographs on wove framed ARR Dimensions:31.7 x 23.5 and 36 x 25.2cm Provenance: Glasgow, 1970s where purchased by the family of the present owner Thence by descent Notes: Hannah Frank was born in Glasgow in 1908 and went on to study English and Latin at university and trained to become a teacher. During this period she also attended evening classes at Glasgow School of Art, where she studied printmaking, drawing and sculpture. She followed on from The Glasgow Girls, a group of young women artists working across Glasgow in printmaking, textile and ceramic who became elevated in the fine art scene.
Frank is best known for her Art Nouveau-inspired style, with her works featuring elegant, elongated female forms. Her work was influenced by Aubrey Beardsley and Jessie King, which can be seen in her haunting, highly stylised figures. She adopted the pseudonym Al Aaraaf, taken from an Edgar Allan Poe poem about a mysterious star - which adds further intrigue her abstracted practice. Frank's stark works are imbued with a sense of uneasiness, where she employs strong contrasts and mystical imagery to create a distinctive surreal atmosphere.
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§ Charles Tunnicliffe O.B.E. R.A. (British, 1901-1979) The White Horse signed in pencil unnumbered, aside from the edition of 75 etching on laid framed ARR Dimensions:plate 20.2 x 23.6cm Notes: Reference: See National Gallery of Art, Washington, accession number 2015.19.1446, for another example of this edition
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§ Marie Laurencin (French, 1883-1956) Emilie 1930 signed and numbered 31/115 in pencil titled in plate lithograph in colours on wove framed ARR Dimensions:image 34 x 22cm
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§ Georges Braque (French, 1882-1963) Théogonie I 1949 signed and inscribed HC in pencil an Hors Commerce aside from the edition of 30 etching on Rives wove from Théogonie published by Maeght, Paris unframed ARR Dimensions:plate 23.5 x 29.8cm; sheet 44.8 x 48.4cm Provenance: Galerie Michel Fillion, Antibes, 2020 where purchased by the present owner
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![§ Marc Chagall (Russian/French, 1887-1985) Le Roi David à la harpe [Cramer 14]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/d2b22274-5bb4-4cc4-a6dc-b4d3013c9f2b.jpg?h=175)
Quantity
1
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Estimate
2,000 - 3,000 GBP
§ Marc Chagall (Russian/French, 1887-1985) Le Roi David à la harpe [Cramer 14] 1967 signed and numbered 4/35 in pencil etching with aquatint on wove framed ARR Dimensions:plate 20.2 x 15cm Provenance: Israeli Gallery, c.1970s, where purchased by the family of the present owner thence by descent Notes: Literature: Gérald Cramer (1992), Marc Chagall, Trente ans de travail et d'amitié , Nice: Cramer, Reference 14
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§ Marc Chagall (Russian/French, 1887-1985) Nice, Soleil Fleurs 1962 lithographic poster in colours on wove printed by Mourlot, Paris, published by the Ministere des Travaux Publics, Des Transports et Du Tourisme framed ARR Dimensions:image 98.6 x 60.5cm Notes: commissioned by the French Tourist Commissariat, this poster of The Bay of Angels was produced to promote Nice and the Côte d’Azure to tourists.
Reference: see Victoria & Albert Museum, London, accession number E.1077-1966 for another example of this edition.
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§ Stanislaus Soutten Longley (British, 1884-1966) Office; Home 1933 each signed in plate two lithographic posters in colours on wove published by Balding and Mansell, London for London Underground framed Dimensions:each image 50 x 32cm
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Adolph Treidler (American, 1886–1981) Furness Cruising Liner “Ocean Monarch”
c. 1950s signed in plate offset lithographic travel poster in colours framed
Dimensions:image 100 x 75cm
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1
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1,500 - 2,000 GBP
§ Laurence Stephen Lowry R.A. (British, 1887-1976) Three Men and a Cat 1971 signed in blue pen from the edition of 850 with the Fine Art Trade Guild blindstamp, blind-stamped JCF offset lithograph in colours on wove published by Adam Collection Ltd. framed ARR Dimensions:image 27 x 17cm Provenance: The Boydell Galleries, Liverpool, June 1971 with original invoice Chiswick Auctions, London, 20th Century & Contemporary Art & Design, 17th October 2017, Lot 98, where purchased by the present owner Notes: this lot is accompanied by the original promotional pamphlet created for the prints release
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1
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4,000 - 6,000 GBP
§ Laurence Stephen Lowry R.A. (British, 1887-1976) The Cart signed in pencil from the edition of 850 with the Fine Art Trade Guild Blindstamp, blindstamped ECF offset lithograph in colours on wove printed by Max Jaffe, Vienna, published by Adam Collection Ltd. framed ARR Dimensions:image 49.4 x 39.5cm Provenance: Private Collection U.K., thence by descent
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1
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2,500 - 3,500 GBP
§ Laurence Stephen Lowry R.A. (British, 1887-1976) The Football Match 1973 signed and numbered 775/850 in pencil lithograph on wove published by Grove Galleries, Manchester framed ARR Dimensions:image 27 x 37cm
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§ Laurence Stephen Lowry R.A. (British, 1887-1976) Meeting Point 1973 signed in pencil from the edition of 600 with The Fine Art Trade Guild blindstamp, blindstamped ADK offset lithograph in colours on wove published by the Adam Collection Ltd. framed ARR Dimensions:image 46.6 x 70.5cm
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§ Laurence Stephen Lowry R.A. (British, 1887-1976) Burford Church signed and numbered 604/850 in pencil offset lithograph in colours on wove published by Grove Galleries, Manchester framed ARR Dimensions:image 63 x 47cm
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1
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2,000 - 3,000 GBP
§ Laurence Stephen Lowry R.A. (British, 1887-1976) Deal Beach 1973 signed in pencil from the unnumbered edition of 850 with the Fine Art Trade Guild blindstamp, blind-stamped DKB offset lithograph in colours on wove published by Venture Prints, Bristol framed ARR Dimensions:image 26.2 x 50.5cm Provenance: purchased by the family of the present owner thence by descent
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§ Laurence Stephen Lowry R.A. (British, 1887-1976) Deal Sketch 1973 signed in blue pen from the unnumbered edition of 850 with the Fine Art Trade Guild blindstamp, blind-stamped CBC offset lithograph in colour in wove published by Venture Prints, Bristol framed ARR Dimensions:image 16.5 x 23.6cm Provenance: purchased by the family of the present owner thence by descent
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26
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1
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3,000 - 5,000 GBP
§ Pablo Picasso (Spanish, 1881-1973) Television: Combat de Chars à l’antique [Baer 1526 Bb1 / Bloch 1510] 1968 signed and numbered 25/50 in pencil etching on wove from Series 347 published by Galerie Louise Leiris, Paris plate 31 x 41.3cm framed ARR Dimensions:plate 30.7 x 41cm Provenance: Chiswick Auctions, London, Modern & Contemporary Prints and Multiples , 22nd February 2023, where purchased by the present owner
Literature: Brigitte Baer, Bernhard Geiser (1996) Catalogue Raisonne De L'ouvre Grave 1899-1972, Berne: Kornfeld Et Klipstein & Cie, Reference 1526 Bb1 Georges Bloch (1984) Catalogue de l'ouvre grave et lithographie, Berne: Kornfield & Cie Reference 1510
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§ After Jean Cocteau (French, 1889-1963) Tête de Garçon en couleur 1957/1975 signed and dated in plate from the unnumbered edition of 150 lithograph in colours on wove from Jean Cocteau: 25 Lithographies, 1956-58 printed by Mourlot, published by A.C. Mazo, Paris framed ARR Dimensions:sheet 64 x 49cm
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§ Jean Dubuffet (French, 1901-1985) Jeux et Congrès 1959 signed, titled, dated and inscribed eprueve d'artiste in pencil an artist's proof aside from the edition of 30 lithograph in colours on Arches wove from Les Phénomènes printed and published by the artist, Paris unframed ARR Dimensions:sheet 64 x 45.5cm
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§ Joan Miró (Spanish, 1893-1983) Plate III 1969 etching with aquatint in colours on Rives wove an unnumbered proof aside from the edition of 75 from Erik Satie: Poèmes et chansons produced by Louis Broder, never published with producer's watermark LB unframed ARR Dimensions:plate 13.5 x 35.5cm
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1
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Estimate
2,000 - 3,000 GBP
§ Joan Miró (Spanish, 1893-1983) Le Lezard Aux Plumes D'Or 1971 signed and inscribed H.C. in pencil a hors commerce aside from the edition of 50 lithograph in colours on wove printed by Mourlot, published by Louis Broder, Paris with their watermark Dimensions:image 33 x 48cm Provenance: Coskun & Co. Ltd, London, where purchased by the present owner
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![§ John Piper C.H. (British, 1903-1992) Stowe Triptych [Levinson 388]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/f589757c-3f99-4dce-9149-b4d3013c26c0.jpg?h=175)
§ John Piper C.H. (British, 1903-1992) Stowe Triptych [Levinson 388] 1986 signed and inscribed A/P in pencil an artist's proof aside from the edition of 70 screenprint in colours on wove published by Marlborough Fine Art, London framed ARR Dimensions:image 61 x 54.6cm Notes: Literature: Orde Levinson (1987) John Piper The Complete Graphic Works, London: Faber & Faber, Reference 388
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![§ John Piper C.H. (British, 1903-1992) The Visitation [Levinson 253]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/3a710962-bf12-49d2-9c04-b4e600c6fec6.jpg?h=175)
§ John Piper C.H. (British, 1903-1992) The Visitation [Levinson 253] 1975 signed and inscribed Trail Proof in pencil aside from the edition of 90 lithograph in colours on Arches wove printed by Burleighfield House, Loudwater, published Gallery Wolfgang Ketterer, Munich framed ARR Dimensions:image 51 x 41.5cm Notes: Literature: Orde Levinson (1987) John Piper The Complete Graphic Works, London: Faber & Faber, Reference 253
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![§ John Piper C.H. (British, 1903-1992) Foliate Head [Levinson 368]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/a3f6710d-23eb-4b91-a696-b4d3013c6a0b.jpg?h=175)
§ John Piper C.H. (British, 1903-1992) Foliate Head [Levinson 368] 1983 signed and numbered 100/100 in pencil etching with screenprint in colours on Arches wove printed by Kelpra Studios, published by Christie's Contemporary Art, Tilford framed ARR Dimensions:image 44.1 x 56.6cm Notes: Literature: Orde Levinson (1987) John Piper The Complete Graphic Works, London: Faber & Faber, Reference 368
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1
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Estimate
1,200 - 1,800 GBP
§ Ivon Hitchens (British, 1893-1979) For John Constable 1976 signed, titled and numbered 4/100 in pencil screenprint in colours on J. Green wove counter signed by Chris Betambeau from the For John Constable portfolio printed by Advanced Graphics, published by Bernard Jacobson Ltd., London unframed ARR Dimensions:sheet 57 x 102cm
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![§ Henry Moore R.A. (British, 1898-1986) Sheep Standing [Cramer 351]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/6bdfc83c-a070-4095-bc77-b4e300f8ddab.jpg?h=175)
§ Henry Moore R.A. (British, 1898-1986) Sheep Standing [Cramer 351] 1974 signed and numbered 8/30 in pencil lithograph on wove framed ARR Dimensions:sheet 38 x 51.5cm Notes: Reference: see Tate Britain, London, accession number P02569 for another example of this edition Literature: Gerald Cramer, Alistair Grant, David Mitchinson (1975) Catalogue of the Graphic Work , Geneva: Gérald Cramer, Reference 351
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![§ Henry Moore R.A. (British, 1898-1986) Girl II [Cramer 406]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/a7db06cc-b9e4-4197-86c0-b4d3013bca6a.jpg?h=175)
§ Henry Moore R.A. (British, 1898-1986) Girl II [Cramer 406] 1974 signed and numbered 6/50 in pencil lithograph on wove framed ARR Dimensions:image 23 x 18cm Notes: Reference: see Tate Britain, London, accession number P02393 for another example from this edition Literature: Gerald Cramer, Alistair Grant, David Mitchinson (1975) Catalogue of the Graphic Work , Geneva: Gérald Cramer , Reference 406
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![§ Julian Trevelyan R.A. (British, 1910-1988) Henley [Turner 223]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/5ca7996c-266c-412c-85dd-b4d3013c0b41.jpg?h=175)
§ Julian Trevelyan R.A. (British, 1910-1988) Henley [Turner 223] 1969 signed and numbered 31/75 in pencil etching and aquatint on J. Green Mouldmade from the Thames Suite printed by Geoffrey Beardsall and Dorothea Wright, published by London Graphics, London unframed ARR Dimensions:sheet 78 x 57.8cm Notes: Julian Trevelyan, born in Surrey in 1910, spent the majority of his adult life residing beside the River Thames. At the age of 25, he bought his home and studio, Durham Wharf, located on Chiswick Mall. The river and its environs served as a perpetual source of inspiration for Trevelyan, who frequently produced various pictures of scenes along the iconic river.
The present print is part of the Thames Suite, a collection of eleven etchings that celebrate the diversity of landscapes and communities found along England's most iconic river. Henley captures the energy and atmosphere of the famous Henley Royal Regatta, the internationally renowned rowing event that has taken place in the Oxfordshire town almost every year since 1839. Trevelyan uses bold colours, simplified forms, and layered textures to convey the excitement and movement of boats, crowds, and the riverside setting. Reference: see Victoria & Albert Museum, London, accession number E.3718-2004 for another example of this edition Literature: Silvie Turner (1998) Julian Trevelyan: Catalogue Raisonné of Prints , Hampshire: Scolar Press in association with Bohun Gallery, Reference
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![§ Julian Trevelyan R.A. (British, 1910-1988) Home Waters [Turner 245]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/d238185e-9a16-4a34-9013-b4d3013dad4b.jpg?h=175)
§ Julian Trevelyan R.A. (British, 1910-1988) Home Waters [Turner 245] 1971 signed, titled and numbered from the edition of 75 in pencil etching and aquatint in colours on T.H. Saunders wove printed by Studio Prints, published by Leslie Waddington Prints Ltd., London framed ARR Dimensions:plate 35 x 48cm Notes: Julian Trevelyan, born in Surrey in 1910, spent the majority of his adult life residing beside the River Thames. At the age of 25, he bought his home and studio, Durham Wharf, located on Chiswick Mall. The river and its environs served as a perpetual source of inspiration for Trevelyan, who frequently produced various pictures of scenes along the West London stretch of the Thames.
Home Waters is a wonderful example of Trevelyan's local inspiration. The print depicts Durham Wharf in the right foreground, as well as the notable Eyot and St. Nicholas' Church further along the river. The sky is full of planes arriving and departing from Heathrow, and the river is a hub of activity with rowing and sailing boats as well as birds bobbing along. Trevelyan has even planted a portrait of himself in the foreground, proudly showing off his manor.
This print encapsulates the urban yet village-like atmosphere of riverside West London.
Reference: see Tate Britain, London, accession number P01319 for another example from this edition Literature: Silvie Turner (1998) Julian Trevelyan: Catalogue Raisonné of Prints , Hampshire: Scolar Press in association with Bohun Gallery , Reference 245
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§ Mary Fedden O.B.E. (British, 1915-2012) Picnic 1999 signed, dated, titled and numbered 58/75 in pencil lithograph in colours on wove printed by Curwen Studio, Chilford, published by Julian Lax, London framed ARR Dimensions:image 57.2 x 39cm
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§ Richard Bawden (British, 1936-2024) Spider Plant signed, titled and numbered 31/75 in pencil etching with aquatint in colours on wove framed ARR Dimensions:image 40.5 x 56.6cm
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§ Richard Bawden (British, 1936-2024) The White Horse, Westbury signed, titled and numbered 11/100 in pencil etching with aquatint in colours on wove framed ARR Dimensions:plate 38.7 x 63cm
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§ Richard Bawden (British, 1936-2024) Slumber signed, titled and inscribed 28/85 in pencil etching on wove framed ARR Dimensions:plate 14.6 x 19.5cm
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John Hubbard (American, 1931-2017) From the Poet's House: A Portrait of New Harmony 1990 each initialled, titled and numbered 22/35 in pencil the complete suite of twelve etchings on 250gsm Velin Arches printed by Jack Shirreff at Studio 107, Wiltshire, published by The Robert Lee Blaffer Trust, Indiana contained within original blue clothbound solander case Dimensions:each sheet 32.5 x 29cm, overall 35 x 31 x 3cm
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§ Robert Adams (British, 1917-1984) Single Curve 1957 signed, dated and numbered 1/8 in pencil lithograph on wove unframed ARR Dimensions:sheet 61 x 43cm
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![§ Ben Nicholson O.M. (British, 1894-1982) Still Life with Curves [Lafranca 107]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/fa919abf-0c69-413e-ad41-b4e600c2dd91.jpg?h=175)
§ Ben Nicholson O.M. (British, 1894-1982) Still Life with Curves [Lafranca 107] 1965 signed, dated and numbered 12/50 in pencil etching on wove from the Architectural Suite printed by Fran ç ois Lafranca, with their blindstamp, published by Ganymed Original Editions and Marlborough Fine Art, London framed ARR Dimensions:sheet 42.1 x 37.5cm Provenance: Bernard Jacobson Gallery, London, where purchased by the present owner
Reference: See Victoria & Albert Museum, London, accession number CIRC.583-1967 for another example of this edition. Literature: Faith Manfred (1984) Ben Nicholson, Etchings printed by François Lafranca, Mannheim: Kunsthalle Mannheim Reference 107
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![§ Ben Nicholson O.M. (British, 1894-1982) Bird Form [Lafranca 113]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/cf902ac2-7105-4a2f-8ec5-b4e50115e0e1.jpg?h=175)
§ Ben Nicholson O.M. (British, 1894-1982) Bird Form [Lafranca 113] 1969 signed, dated and numbered 43/50 in pencil etching on wove printed by Lafranca, with thier blindstamp published by CCA Galleries, Surrey framed ARR Dimensions:plate 20 x 27.3cm Provenance: CCA Galleries, London, July 1989, where purchased by the family of the present owner thence by descent
Literature: Faith Manfred (1984) Ben Nicholson, Etchings printed by François Lafranca, Mannheim: Kunsthalle Mannheim Reference 113 Notes: this lot is accompanied by a Certificate of Authenticity, issued by the publisher
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§ Ben Nicholson O.M. (British, 1894-1982) Untitled ca.1965 cancelled etching on wove cancelled in blue crayon printed by François Lafranca, Locarno unframed ARR Dimensions:sheet 52 x 37.5cm Provenance: The Estate of the late Angela Verren Taunt, a close friend of the artist. Thence by descent Prints & Multiples X Hot Off The Press, Bonhams, London (Online), September 2025, Lot 144, where acquired by the present owner
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§ Ben Nicholson O.M. (British, 1894-1982) Aquileia 1965 cancelled etching on wove cancelled in blue crayon aside from the edition of 50 printed by François Lafranca, Locarno, with their blindstamp unframed ARR Dimensions:sheet 42.6 x 37.5cm Provenance: The Estate of the late Angela Verren Taunt, a close friend of the artist. Thence by descent Prints & Multiples X Hot Off The Press, Bonhams, London (Online), September 2025, Lot 144, where acquired by the present owner
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§ Ben Nicholson O.M. (British, 1894-1982) Two Turkish Forms 1967 cancelled etching on wove cancelled in blue crayon aside from the edition of 50 printed by François Lafranca, Locarno unframed ARR Dimensions:sheet 38 x 32.3cm Provenance: The Estate of the late Angela Verren Taunt, a close friend of the artist. Thence by descent Prints & Multiples X Hot Off The Press, Bonhams, London (Online), September 2025, Lot 144, where acquired by the present owner
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§ Ben Nicholson O.M. (British, 1894-1982) Untitled 1965 cancelled etching on wove cancelled in blue crayon printed by François Lafranca, Locarno, with their blindstamp unframed ARR Dimensions:sheet 32 x 37.5cm Provenance: The Estate of the late Angela Verren Taunt, a close friend of the artist. Thence by descent Prints & Multiples X Hot Off The Press, Bonhams, London (Online), September 2025, Lot 144, where acquired by the present owner
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![§ Ben Nicholson O.M. (British, 1894-1982) Palaestra with Moon [Lafranca 118]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/35bc0ac8-566d-49c0-a6d2-b4d3013beb86.jpg?h=175)
§ Ben Nicholson O.M. (British, 1894-1982) Palaestra with Moon [Lafranca 118] 1967 cancelled etching on wove, over two sheets printed by François Lafranca, Locarno, with their blindstamp unframed ARR Dimensions:sheets 21 x 33.7cm and 26.5 x 33.7cm Provenance: The Estate of the late Angela Verren Taunt, a close friend of the artist. Thence by descent Prints & Multiples X Hot Off The Press, Bonhams, London (Online), September 2025, Lot 144, where acquired by the present owner
Literature: Faith Manfred (1984) Ben Nicholson, Etchings printed by François Lafranca, Mannheim: Kunsthalle Mannheim Reference 107
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§ Ben Nicholson O.M. (British, 1894-1982) Storm Over Paros 1967 cancelled etching on wove cancelled in red crayon aside from the edition of 50 printed by François Lafranca, Locarno, with their blindstamp unframed ARR Dimensions:sheet 37.5 x 43cm Provenance: The Estate of the late Angela Verren Taunt, a close friend of the artist. Thence by descent Prints & Multiples X Hot Off The Press, Bonhams, London (Online), September 2025, Lot 144, where acquired by the present owner
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§ Ben Nicholson O.M. (British, 1894-1982) Untitled ca.1965 cancelled etching on wove cancelled in blue pen printed by François Lafranca, Locarno unframed ARR Dimensions:sheet 37.5 x 32cm Provenance: The Estate of the late Angela Verren Taunt, a close friend of the artist. Thence by descent Prints & Multiples X Hot Off The Press, Bonhams, London (Online), September 2025, Lot 144, where acquired by the present owner
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§ Breon O'Casey (British, 1928-2011) Acrobats V 1999 signed, dated and inscribed AP in pencil an artist's proof aside from the edition of 15 linocut on wove framed ARR Dimensions:sheet 76 x 56cm
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§ Sir Terry Frost R.A. (British, 1915-2003) Miss Humphries, Camberwell ca.1948 signed and titled in pencil monotype and ink on wove printed by the artist at Camberwell School of Art, London framed ARR Dimensions:sheet 33 x 20cm Provenance: with Austin Desmond Fine Art, London
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![§ Sir Terry Frost R.A. (British, 1915-2003) Brown Figure [Kemp 25]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/fbf3653c-404e-401a-ba9c-b4e6010385d1.jpg?h=175)
§ Sir Terry Frost R.A. (British, 1915-2003) Brown Figure [Kemp 25] 1957 signed, dated and numbered 6/30 in pencil lithograph in colours on wove printed by Harley Brothers, Edinburgh, published by St. George's Gallery, London unframed Dimensions:sheet 56 x 70cm Provenance: with Austin Desmond Fine Art, London
Reference: see National Galleries of Scotland, accession number GMA 747 for another example of this edition. Literature: Dominic Kemp (2010) Terry Frost Prints: A Catalogue Raisonné , London: Lund Humphries, Reference 25
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§ Sir Terry Frost R.A. (British, 1915-2003) Niagara 1990 monotype in colours on 400gsm wove printed by Hugh Stoneman at the Print Centre, with their blindstamp, published by Austin Desmond Fine Art unframed ARR Dimensions:sheet 53.5 x 76.8cm Provenance: produced on the occasion of the artist's 75th birthday for Austin Desmond Fine Art, London
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§ Sir Terry Frost R.A. (British, 1915-2003) Untitled 1967 signed, dated and inscribed A/P in pencil etching on wove unframed/mounted ARR Dimensions:sheet 38.3 x 26.6cm Provenance: with Austin Desmond Fine Art, London
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![§ Sir Terry Frost R.A. (British, 1915-2003) Scammel, Banbury [Kemp 31]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/bfda048a-9989-4e29-b378-b4e600c8605c.jpg?h=175)
§ Sir Terry Frost R.A. (British, 1915-2003) Scammel, Banbury [Kemp 31] 1967 signed and dated in pencil unique etching with hand colouring and collage on wove printed by the artist, Banbury framed ARR Dimensions:plate 27.3 x 21.4cm Provenance: with Austin Desmond Fine Art, London Notes: Literature: Dominic Kemp (2010) Terry Frost Prints: A Catalogue Raisonné , London: Lund Humphries, Reference 31
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![§ Sir Terry Frost R.A. (British, 1915-2003) Lace 1 [Kemp 43]](https://cdn.globalauctionplatform.com/auctions-2026/srchis11205/images/3ea752f5-d4eb-4115-a0c8-b4d3013b5cee.jpg?h=175)
§ Sir Terry Frost R.A. (British, 1915-2003) Lace 1 [Kemp 43] 1968 signed, dated and numbered 23/75 in pencil lithograph in colours with leather lace on wove printed by Curwen Studio, Chilford unframed/mounted ARR Dimensions:sheet 77 x 59cm Provenance: with Austin Desmond Fine Art, London
Reference: see Tate, London, accession number P01136, for another example of this edition. Literature: Dominic Kemp (2010) Terry Frost Prints: A Catalogue Raisonné , London: Lund Humphries, Reference 43
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